Reog Ponorogo is the native Indonesia culture from East Java. Reog ponorogo marked with the Barongan figure, the figure of a tiger head made of wood frame, rattan, and bamboo, equipped with peacock feathers are developing fur and bite the beads (beads). The size Reog Barongan is approximately 2:25 meters x 2.3 meters.Barongan reog players this should be someone who is an expert, usually driven from the mystical and conditions such as fasting because of the weight of this reog about 50 kilograms. 
Staging Reog Reog Ponorogo usually performed in cultural events, weddings, circumcisions, and national holidays.
The first dance is usually performed by a 6-8 brave men dressed all in black, with polished face red. The dancer depicts the figure of a lion is brave. Next is a dance performed by girls who ride horses 6-8. In reog Traditionally, these dancers are usually played by male dancers who dressed women. This dance is called a braid or jathilan horse dance, which should be distinguished from other dances that lumping horse dance. Other opening dance if there is usually a dance by a little boy who brought a funny scene called Bujang Ganong or Ganongan. After the opening dance is completed, the new core scenes whose content is displayed depends reog condition where art is displayed. When dealing with marriage, shown is a scene of romance. For the celebration of circumcision or circumcision, is usually a story of warriors, Art scene in reog usually do not follow the scenario laid out. Here there is always interaction between the player and the puppeteer (usually the leader of that group) and sometimes with the audience. Sometimes a player's performances can be replaced by another player when that player fatigue. Even more overlooked in staging reog art is to give satisfaction to the audience. The last scene is a lion barong, where the actors wear masks lion-shaped head with a crown made of peacock feathers. Weight masks can reach 50-60 kg. Heavy mask was brought by the dancers with their teeth. The ability to bring these masks in addition to the weight gained by training, is also believed diproleh with spiritual practices like fasting and penance.
Another figure in the Reog Ponorogo
Warok
"Warok" which comes from the word wewarah is a person who has a holy determination, providing guidance and unconditional protection. Warok is "wong kang sugih wewarah (Javanese)," which means someone who is rich in teaching or one becomes warok being able to give guidance or instruction to others about living better. Warok iku wong kang wus purna saka sakabehing laku, lan wus menep ing rasa (Warok is a person who is perfect in his behavior, and to the inner deposition).Warok is a character / traits and community spirit Ponorogo been ingrained since the first handed down by ancestors to future generations. Warok is part of the visual arts an integral Reog with other visual aids in the arts unit Reog Ponorogo. Warok is a truly mastered the science of good birth and mental 
Jathilan Jathil are horsemen and is one of the characters in the art Reog. Jathilan dexterity is a dance depicting horsemen who were practicing on a horse. This dance is performed by dancers in which the dancers are to each other in pairs with each other. Dexterity and skill in battle on horseback or lost interest shown by the expression of the dancer. [4] Jathilan was originally danced by men smooth, flawless-looking or similar to a beautiful woman. Dance movement was more likely to feminine. Since the 1980's when the art team Reog Ponorogo about to be sent to Jakarta for the opening of PRJ (Pekan Raya Jakarta), dancer jathilan replaced by the dancers girls with more feminine reason. The characteristics of the impression of movement on the art of dance Jathilan Reog Ponorogo more prone to subtle, lively, flirtatious. This is supported by a rhythmic dance movement pattern that alternated between rhythm work properly (naive) and rhythm ngracik. Controversy
Reog Ponorogo had been claimed by Malaysia as a Malaysian culture. They feature the official website of the ministry in Malaysia. This triggered protests Indonesia various parties, including cultural reog. Though it has been noted as Reog copyright with the number 026 377 dated February 11, 2004, and thus known by the Minister of Justice and Human Rights Republic of Indonesia. Not only was this the culture of Indonesia claimed Malaysia, Indonesia many other indigenous cultures are claimed, including shadow puppets, etc. I hope the Indonesian Society on everything to keep and preserve indigenous culture in this beloved country Indonesia
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